![]() Wilhelm (Baden-Durlach) do the same and indulge in his dreams. Anyone can take a seat on the chair by the castle and give it to the founder of Karlsruhe, Karl III. On the occasion of the 300th anniversary of Karlsruhe, Strumbel created a bronze sculpture on behalf of the House of Baden, which shows an upholstered chair that rests on a tree stump instead of on legs. On May 30, 2014, the premiere took place. According to the artist, the stage design will be three-dimensional. ![]() In 2013 Stefan Strumbel was commissioned by the Stuttgart State Opera to design the stage design for the production of Puccini's opera “ La Boheme ” by Andrea Moses. The action spread quickly on social networks and was one of the first of its kind. The tears were symbolically shed over the suffering that comes with the strict condom policy of the Catholic Church. In 2011, together with the youth organization Jugend gegen AIDS, Stefan Strumbel designed a statue of the Virgin Mary, who cried tears live by liking the Facebook page. Stefan Strumbel's collectors include Karl Lagerfeld and Hubert Burda. The construct of home becomes a metaphor for existential questions about identity : How do I define home? How is my self-perception? What does reflect me outwardly? How and how do I define myself? With his objects, the artist creates an illusory world that serves as a mirror for social reality. He unmasks the mechanisms of a society that succumbs to the ubiquitous stimuli of the media in its striving for status and consumption. Stefan Strumbel initiates a change in values: In his transformational art, traditional values, a transfigured sense of home and the reality of individual origins disappear behind an aesthetic that becomes a symbol of social status symbols. At first glance, the external shape of the objects does not reveal anything of the disturbing content - always solid and meticulous wood carvings, which, with their brightly colored varnish, convey the impression of superficial pop culture. Another key aspect of this work refers to the concept of ‘Heimat’ a German word that cannot be entirely translated one on one but loosely refers to heritage or home.In his works, Stefan Strumbel exaggerates cultural and cult objects such as cuckoo clocks, wooden masks from the Alemannic Carnival or crucifixes with style elements from Street Art and Pop Art and places them in a new, sometimes provocative context, for example replacing significant elements of the cuckoo clock such as carvings by original symbols of home through motifs associated with violence, pornography and death. Strumbel, however, creates both, a unique artificial and artistic aesthetic with his usage of extreme exaggerations in regard to form content. With their colorful and bright surface, the artworks appear as light and shiny pieces of pop art. At first sight, these objects don’t reveal any of the disturbing content but appear as beautifully crafted wooden sculptures. By doing so, he puts the objects into a completely new and often provocative context, always pushing boundaries. He replaces significant elements of the cuckoo’s clock, such as traditionally carved ornaments with motives that deal with the subjects of violence, pornography and death. Stefan Strumbel made a name for himself by exaggerating traditional and cult artifacts such as cuckoo clocks, anchors and crucifixes and reincorporating elements of Street Art and Pop Art. ![]()
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